{"title":"Book Edit: Summer New Additions","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-size: 16px;\"\u003eOur latest Book Edit features standout titles published this summer — a curation for those passionate about design, architecture, and art. Each book offers fresh perspectives and inspiration, making it a thoughtful addition to your library or a meaningful gift for fellow design lovers.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"rick-owens-temple-of-love","title":"Rick Owens: Temple of Love","description":"\u003cp\u003e\u003cb\u003eWith his provocative and subversive approach to design, Rick Owens has been a transformative force in fashion since he founded his label in 1994. This essential volume is the first critical appraisal of Owens's work, documenting the evolution of nearly three decades of the designer's inimitable worldview.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eOwens remains one of the most daring and influential fashion designers working today. Often described for his \"a-grunge-meets-glamor\" aesthetic, Owens has cultivated a devoted international following. In his creations, grace and grit are paired with an obsession with structural transformation and movement, where diaphanous, flowing shapes contrast with opaque forms and sharp edges, an approach to formal invention that is complemented by a mania for new and often exotic materials.\u003c\/p\u003e\n\u003cp\u003eTimed to coincide with the first comprehensive show of the designer's work taking place at the Palais Galliera in Paris in summer 2025, the scope and breadth of this exhibition promises to be a treat to both longtime fans and the uninitiated. Owens will reimagine the grand nineteenth-century palace housing the museum, with temporary installations that will serve as vitrines to his many creations. In effect dividing the book between the conception of showcases and the precious objects that they display within, the curatorial essays bookending this visual narrative will attempt to describe the multidisciplinary, even architectural approach Owens has to his creations.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Rick Owens, Miren Arzalluz (Author), Alexandre Samson (Author)\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 07\/01\/2025\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Rizzoli International Publications\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780847844517\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 200\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.25lbs\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eRick Owens \u003c\/b\u003eis an American fashion designer; he launched his eponymous line in Los Angeles in 1994, before moving to Paris in 2003. \u003cb\u003eMiren Arzalluz\u003c\/b\u003e is a fashion historian and the director of the Palais Galliera. \u003cb\u003eAlexandre Samson\u003c\/b\u003e is a fashion historian and head of the contemporary design department at the Palais Galliera.\u003cbr\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":42130868863050,"sku":"9780847844517","price":58.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0011\/8990\/4435\/files\/rick-owens-temple-of-love-9780847844517.jpg?v=1748942019"},{"product_id":"wonder-women-art-of-the-asian-diaspora","title":"Wonder Women: Art of the Asian Diaspora","description":"\u003cp\u003e\u003cb\u003eThe first book to highlight Asian diasporic women and nonbinary artists engaged with figurative painting, sculpture, and drawing.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eGenny Lim's poem \"Wonder Woman\" follows a narrator who observes the everyday lives of Asian women--across generations, countries, and socioeconomic backgrounds--wondering if their experiences reflect her own. The poem centers Asian women as its protagonists and asks what commonalities exist between them.\u003c\/p\u003e\n\u003cp\u003eOften underrepresented in museum collections and important exhibitions, Asian diasporic women and nonbinary artists are now receiving recognition; this book expands on two landmark shows of figurative art curated by Kathy Huang, organized in response to increasing anti-Asian racism and violence during the Covid-19 pandemic.\u003c\/p\u003e\n\u003cp\u003eThe forty featured artists, each represented with four or more works and a personal statement, subvert stereotypes and assert their identities in places where they have historically been marginalized. While some featured artists explore identity through self-portraiture, others depict the heroines in their lives, offering works that highlight family, community, and history. Several of the works address colonial and patriarchal structures in the West, legends, and myths. With essays, paintings, sculptures, and drawings created within the last four years, this book is a current, open-ended collection of contemporary Asian diasporic experiences.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Kathy Huang, Aleesa Pitchamarn Alexander (Contribution by), Genny Lim (Contribution by)\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 05\/20\/2025\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Rizzoli Electa\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780847845729\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 372\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 4.45lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 11.67h x 8.52w x 1.05d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eKathy Huang\u003c\/b\u003e is an independent curator and Managing Director at Jeffrey Deitch. \u003cb\u003eGenny Lim\u003c\/b\u003e is an American poet, playwright, and performer. \u003cb\u003eAleesa Pitchamarn Alexander\u003c\/b\u003e is an Associate Curator of Modern and Contemporary Art at the Cantor Arts Center at Stanford University.\u003cb\u003e Delia Cai\u003c\/b\u003e is a writer and author of the media and culture newsletter, \u003ci\u003eDeez Links\u003c\/i\u003e.\u003cb\u003e Kevin Kwan\u003c\/b\u003e is a Singaporean-born American novelist and writer of satirical novels, including \u003ci\u003eCrazy Rich Asians\u003c\/i\u003e. \u003cb\u003eFariha R?is?n\u003c\/b\u003e is a multidisciplinary artist and writer.\u003cbr\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":42130869289034,"sku":"9780847845729","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0011\/8990\/4435\/files\/wonder-women-art-of-the-asian-diaspora-9780847845729.jpg?v=1748947323"},{"product_id":"david-alekhuogie-a-reprise","title":"David Alekhuogie: A Reprise","description":"\u003cp\u003e\u003cb\u003eIn \u003ci\u003eA Reprise\u003c\/i\u003e, David Alekhuogie remixes Walker Evans's photographs of African art, provoking timely questions about authorship and authenticity. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eA Reprise\u003c\/i\u003e, David Alekhuogie's first monograph, confronts the intriguing legacy of narrative and authorship behind Western presentations of African art, and poses timely questions about how Black aesthetics are circulated, accessed, valued, and interpreted today. In 1935, Walker Evans was commissioned by the Museum of Modern Art, New York, to photograph hundreds of African sculptures for the exhibition \u003ci\u003eAfrican Negro Art\u003c\/i\u003e. Nearly ninety years later, Alekhuogie began investigating Evans's images, provocatively remixing them into his own vibrant and multilayered photographic collages. Transposing facsimiles of Evans's original images onto cardboard or paper structures of his own making, Alekhuogie rephotographs these image-sculptures against striking backdrops--often using East and West African textiles--thereby inviting multiple dimensions of viewership. Alekhuogie's images draw upon the musical idiom of the \u003ci\u003ereprise\u003c\/i\u003e--a performance of repetition--and stake a claim to crucial, restorative ideas around Black antiquity by questioning our relationship to what we consider fake or original, art or archive.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e David Alekhuogie, Wills Glasspiegel (Text by (Art\/Photo Books)), Wendy A. Grossman (Text by (Art\/Photo Books))\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 07\/29\/2025\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Aperture\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781597115742\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 156\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eAlekhuogie, David:\u003c\/i\u003e\u003c\/b\u003e - \u003cb\u003eDavid Alekhuogie\u003c\/b\u003e (born in Los Angeles, 1986) is a documentary photographer. He received his MFA from Yale University and BFA from the School of the Art Institute of Chicago. His work was included in \u003ci\u003eCompanion Pieces\u003c\/i\u003e, the 2020 iteration of the Museum of Modern Art's biennial New Photography series, and was presented in \u003ci\u003eMen of Change: Power. Triumph. Truth.\u003c\/i\u003e at the California African American Museum in Los Angeles. In 2019, he was the recipient of the Rema Hort Mann Foundation's Emerging Artist Grant. Alekhuogie has had solo exhibitions at Los Angeles Municipal Art Gallery; Commonwealth and Council, Los Angeles; Skibum MacArthur, Los Angeles; and the Chicago Artist Coalition, and has participated in group shows at the Museum of Modern Art, New York; High Museum of Art, Atlanta; Fraenkel Gallery, San Francisco; and Regen Projects, Los Angeles. His work has been published in \u003ci\u003eAperture\u003c\/i\u003e, \u003ci\u003eFoam\u003c\/i\u003e, the \u003ci\u003eNew Yorker\u003c\/i\u003e, the \u003ci\u003eNew York Times\u003c\/i\u003e, \u003ci\u003eTime\u003c\/i\u003e magazine, \u003ci\u003eVice\u003c\/i\u003e, and the \u003ci\u003eLos Angeles Times\u003c\/i\u003e. He is based in Los Angeles.\u003cb\u003e\u003ci\u003eGlasspiegel, Wills:\u003c\/i\u003e\u003c\/b\u003e - \u003cb\u003eWills Glasspiegel \u003c\/b\u003eis a filmmaker, artist, and organizer from Chicago. He works with the Era Footwork Crew and codirects the nonprofit Open the Circle. He has directed a range of short films, including \u003ci\u003eFootnotes\u003c\/i\u003e (2021), \u003ci\u003eIcy Lake\u003c\/i\u003e (2014), \u003ci\u003eMeet the Era\u003c\/i\u003e (2016), and \u003ci\u003eBangin' on King Drive\u003c\/i\u003e (2015). He holds a PhD in American studies and African American studies from Yale University.\u003cb\u003e\u003ci\u003eGrossman, Wendy A.:\u003c\/i\u003e\u003c\/b\u003e - \u003cb\u003eWendy A. Grossman\u003c\/b\u003e is a curatorial associate at the Phillips Collection and faculty member of New York University's Global Program in Washington, DC. She is a photo-historian and author of numerous publications, including the award-winning catalog for the exhibition \u003ci\u003eMan Ray\u003c\/i\u003e, \u003ci\u003eAfrican Art\u003c\/i\u003e, \u003ci\u003eand the Modernist Lens\u003c\/i\u003e.\u003cbr\u003eEt al...\u003cbr\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":42130874368074,"sku":"9781597115742","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0011\/8990\/4435\/files\/david-alekhuogie-a-reprise-9781597115742.jpg?v=1749029458"},{"product_id":"liberated-threads-stories-of-black-style-aperture-no-259","title":"Liberated Threads: Stories of Black Style: Aperture No. 259","description":"\u003cp\u003e\u003cb\u003eExploring fashion and style as a political language and tool of resistance in the African diaspora. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAperture\u003c\/i\u003e's Summer issue highlights image makers around the world who are exploring style and fashion as a language of Black resistance, refusal, and joy. Guest edited by the writer and researcher Tanisha C. Ford and titled after her 2015 book, \u003ci\u003eLiberated Threads\u003c\/i\u003e, this edition features photographers, stylists, and filmmakers who remix, reimagine, and in some cases, reject the aesthetic and politics of what she calls the \"soul style\" of the twentieth century--sparking a bold conversation about style's ability to create possibilities for solidarity and selfhood today. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Tanisha C. 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Weems is a touchstone artist, renowned for her work investigating history, identity, and power. A comprehensive monograph, \u003ci\u003eThe Heart of the Matter\u003c\/i\u003e features generous presentations of landmark bodies of work, from \u003ci\u003eFamily Pictures and Stories\u003c\/i\u003e (1981-82) to her most recent series on the Black church. Throughout the book, the artist's spiritual musings provide critical insight into the iconic artist's mind and eye. Newly commissioned essays and additional contributions from esteemed thinkers and scholars across generations underscore the singular value of Weems's vision in grappling with the complexities and injustices of the world around us. \u003ci\u003eCarrie Mae Weems: The Heart of the Matter\u003c\/i\u003e will accompany a related exhibition at Gallerie d'Italia, Turin, opening in April 2025.\u003c\/p\u003e\n\u003cp\u003eThe book is copublished by Aperture and Allemandi Editore.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Carrie Mae Weems, Sarah Hermanson Meister (Editor), Jeffrey Hoone (Text by (Art\/Photo Books))\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 07\/01\/2025\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Aperture\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781597115841\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 264\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.00lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 10.00h x 8.50w x 1.00d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eWeems, Carrie Mae:\u003c\/i\u003e\u003c\/b\u003e - \u003cb\u003eCarrie Mae Weems\u003c\/b\u003e (born in Portland, Oregon, 1953) is a widely influential artist whose work gives a voice to people whose stories have been silenced or ignored. Over the course of forty years, she has built an acclaimed body of work using photographs, text, fabric, audio, digital images, installation, and video. She has received numerous awards, including a MacArthur Foundation Fellowship, the US Department of State's Medal of Arts, the Joseph H. Hazen Rome Prize Fellowship from the American Academy in Rome, and the Congressional Black Caucus Foundation's Lifetime Achievement Award. Her work is in collections worldwide, including the Metropolitan Museum of Art, New York; Museum of Fine Arts, Houston; Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; and Tate Modern, London.\u003cb\u003e\u003ci\u003eMeister, Sarah Hermanson:\u003c\/i\u003e\u003c\/b\u003e - \u003cb\u003eSarah Hermanson Meister\u003c\/b\u003e is executive director at Aperture. She worked in the Department of Photography at the Museum of Modern Art for more than twenty-five years, where she curated acclaimed exhibitions on the work of Josef Albers, Bill Brandt, and Brazilian modernist photographers, as well as Dorothea Lange, Gordon Parks, and many more.\u003cb\u003e\u003ci\u003eHoone, Jeffrey:\u003c\/i\u003e\u003c\/b\u003e -\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eJeffrey Hoone\u003c\/b\u003e was director of Light Work, Syracuse, New York, for forty years and is a working artist. He has written extensively on photography and served on peer review panels for the New York State Council on the Arts and the National Endowment for the Arts. 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The resulting 46 sheets comprise her \u003ci\u003eNature Studies\u003c\/i\u003e portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned watercolor, af Klint juxtaposed exquisitely rendered blossoms with enigmatic diagrams: a blooming sunflower is echoed by nested circles; lily of the valley is joined by a colorful checkerboard; catsfoot is set against a pair of mirrored spirals. Together, these two modes--representational and abstract--demonstrate the artist's belief that close observation of nature reveals \"what stands behind the flowers\" ineffable aspects of the human character.\u003cbr\u003ePublished in conjunction with the first public exhibition of this rare portfolio, \u003ci\u003eHilma af Klint: What Stands Behind the Flowers\u003c\/i\u003e presents the drawings alongside contextualizing artworks and translations of the artist's previously unpublished writings. An overview essay by curator Jodi Hauptman explores af Klint's portfolio and the circumstances of its creation; texts by Ewa Lajer-Burcharth, Laura Neufeld and Lena Struwe unpack the imagery, materiality and botanical knowledge behind these works.\u003cbr\u003e\u003cb\u003eHilma af Klint\u003c\/b\u003e (1862-1944) trained at Stockholm's Royal Academy of Fine Arts and established herself as a professional artist. In the first decade of the 20th century, she developed a unique abstract vocabulary, some years earlier than her peers. 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With mask-like features--all jaws and noses--they emerge, in groups and pairs, out of the painterly atmosphere. Enormous, vibrant, and enigmatic, her works convey tangible yet ineffable tensions and ambiguities of human life.\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the 2023 exhibition at David Zwirner, New York, this catalogue features a long-form essay by Jarrett Earnest, who chronicles Schutz's artistic process as she creates her most ambitious sculpture to date, \u003ci\u003eSea Group\u003c\/i\u003e. Earnest explores the interconnections between Schutz's long-standing painting practice and her more recent engagement with sculpture, offering a fascinating reflection on the artist's thematic explorations, artistic inquiry, and the conceptual underpinnings of her work. The text is also accompanied by behind-the-scenes photography by Jason Schmidt, which offer an intimate view of the artist at work.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Dana Schutz, Jarrett Earnest (Author)\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 05\/20\/2025\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e David Zwirner Books\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781644231548\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 200\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 3.96lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 13.23h x 10.94w x 1.02d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eDana Schutz (b. 1976) is a Brooklyn-based painter and sculptor who constructs complex visual narratives that engage the capacity of art to represent subjective experience. Often depicting figures in seemingly impossible, enigmatic, or invented situations, her works reveal the deeper complications, tensions, and ambiguities of contemporary life.\u003c\/p\u003e\n\u003cp\u003eJarrett Earnest is the author of \u003ci\u003eWhat It Means to Write About Art: Interviews with Art Critics\u003c\/i\u003e (2018) and \u003ci\u003eValid Until Sunset \u003c\/i\u003e(2023) as well as editor of \u003ci\u003eThe Young and Evil: Queer Modernism in New York, 1930-1955\u003c\/i\u003e (2020), \u003ci\u003ePainting Is a Supreme Fiction: Writings by Jesse Murry, 1980-1993\u003c\/i\u003e (2021), and \u003ci\u003eDevotion: today's future becomes tomorrow archive\u003c\/i\u003e (2022). His criticism has been published in magazines and exhibition catalogues around the world, and appears regularly in the \u003ci\u003eNew York Review of Books\u003c\/i\u003e.\u003cbr\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":42130876072010,"sku":"9781644231548","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0011\/8990\/4435\/files\/dana-schutz-jupiters-lottery-9781644231548.jpg?v=1749029410"},{"product_id":"drama-flava","title":"Drama \u0026 Flava","description":"\u003cp\u003e\u003cb\u003eAcclaimed photographer Jamel Shabazz of best-selling hip-hop photo book Back in the Days is the go-to set and fashion styling photographer for films (\u003ci\u003ePlanet B-Boy\u003c\/i\u003e), episodic series (\u003ci\u003eHarlem\u003c\/i\u003e, \u003ci\u003eLuke Cage\u003c\/i\u003e), and fashion spreads for magazines and sites from the U.S., Europe, and Asia. For the first time ever, a direct line is drawn between Shabazz's groundbreaking early work (the styling and fashion of the late 1970s through the early 1990s) through his recent editorial work for \u003ci\u003eVogue\u003c\/i\u003e, \u003ci\u003eThe New York Times\u003c\/i\u003e, \u003ci\u003eDAZED\u003c\/i\u003e, \u003ci\u003e The New Yorker\u003c\/i\u003e, \u003ci\u003eW Magazine\u003c\/i\u003e, \u003ci\u003eCultured Magazine\u003c\/i\u003e, \u003ci\u003eBrooklyn Magazine\u003c\/i\u003e, \u003ci\u003eThe Art Newspaper\u003c\/i\u003e, and many more.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eJamel Shabazz, photographer, artist, and mentor, burst upon the photography and Hip Hop scene some 25 years ago with the groundbreaking book, \u003ci\u003eBack in the Days\u003c\/i\u003e (still in print, btw).Over the course of the next few decades, Shabazz' influence grew over more photo books (\u003ci\u003eA Time Before Crack\u003c\/i\u003e, \u003ci\u003eSeconds of My Life\u003c\/i\u003e, \u003ci\u003eLast Sunday in June\u003c\/i\u003e, even a coloring book based on \u003ci\u003eBack in the Days\u003c\/i\u003e), along with major editorial commissions from the words top magazines and pop culture sites.\u003c\/p\u003e\n\u003cp\u003eWanting to emulate the effortless style, hip poses, and slaying looks Shabazz achieved in \u003ci\u003eBack in the Days \u003c\/i\u003e(a bible of Hip Hop style and fashion), fashion spread editors and stylists hired Shabazz for the shoots, only unauthentically style the session, in the process achieving what they wanted for their spreads, but leaving Shabazz feeling...something was lacking. He dialed back the directives, and went to town on his own dime with his subjects (many famous or soon-to-be- famous), collaborating with them in trademark Shabazz fashion with accessories, backdrops, locations, clothing pieces, poses. The result is a breathtaking line between the raw and electric street shoots of the 1980s \u003ci\u003eBack in the Days\u003c\/i\u003e with the sophistication, polish, and elegance of his film and fashion shoots of the 2010s. The result is what you see now: \"The Drama is the attitude and the Flava is the style,\" says Shabazz.\u003c\/p\u003e\n\u003cp\u003eTraveling back in time and forward across continents, '80s photo shoots backdropped by graffiti, boomboxes, Kangols, Adidas, and chains give way to present day cutting edge fashion in Paris, New York, and Tokyo. Joyful everyday people smiling and posing juxtaposed with sophisticated, artsy portraits of celebs including Dapper Dan, Spike Lee, Slick Rick, Naomi Campbell, Coco Mitchell, Nicola Vassell, Eugena Washington, Camila Alves, Alicia Keys, Swizz Beatz, No?mie Lenoir, Dan'ee Doty, Liu Wen, Alex Santy, Yasiin Bey, Venus Williams, Yasmin Warsame, Kylie Jenner, ILfenesh Hadera, Elvis Nolasco, Slick Rick, and Selita Ebanks. A cross-generational masterpiece featuring a foreword by Kenneth J. Montgomery and essays by historian Carlton Usher, professor Elena Romero, and photographer and writer Diana McClure, \u003ci\u003eDrama \u0026amp; Flava\u003c\/i\u003e is a love letter to everyday Black fashion and style. It's pure Jamel Shabazz, man and spirit.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Jamel Shabazz, Carlton Usher (Text by (Art\/Photo Books)), Elena Romero (Text by (Art\/Photo Books))\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 06\/17\/2025\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e powerHouse Books\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781648230967\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 272\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.66lbs\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eJamel Shabazz is best known for his iconic photographs of New York City during the 1980s. A documentary, fashion, and street photographer, he has authored 12 monographs and contributed to over three dozen other photography-related books. His photographs have been exhibited worldwide and his work is housed within the permanent collections of the Whitney Museum of American Art, the Studio Museum in Harlem, Smithsonian's National Museum of African American History and Culture, the Fashion Institute of Technology, The Art Institute of Chicago, the Getty Museum, The Dean Collection and the National Portrait Museum, among others. Over the years, Shabazz has instructed young students at the Studio Museum in Harlem's \"Expanding the Walls\" project, The Schomburg Center for Research in Black Culture \"Teen Curator's\" program, and the Bronx Museum's \"Teen Council.\" He is the 2023 recipient of the Lucie Foundation Award for his achievement in documentary photography, and the 2022 awardee of the Gordon Parks Foundation\/Steidl book prize. As an artist, Shabazz's primary object is to contribute to the preservation of world history and culture .His books published by his long time home publisher powerHouse Books include Back in the Days, A Time Before Crack, Last Sunday in June, Seconds of my Life, Back in the Days Remix, Back in the Days Coloring Book.\u003c\/p\u003e\n\u003cp\u003eCarlton A. Usher is an Associate Professor of Interdisciplinary Studies at Kennesaw State University. Dr. Usher served as Director of The American Democracy Project (ADP), and among his many civic engagement awards is the prestigious Carnegie Faculty Fellow designation. He is certified as both a Historian and Political Economist. Most recently, his teaching activities include courses on Sustainability Studies, American Popular Culture, Student Success, American Political Processes, Diaspora Studies, and Labor and Workforce Trends.\u003c\/p\u003e\n\u003cp\u003eElena Romero is Assistant Chair and Assistant Professor in the Marketing Communications department of the Jay and Patty Baker School of Business and Technology at the Fashion Institute of Technology (SUNY). She is the co-curator of Fresh Fly Fabulous: 50 Years of Hip Hop Style at the Museum at FIT. Fresh Fly Fabulous: 50 Years of Hip Hop Style at the Museum at FIT, a comprehensive fashion exhibition and book exploring the roots and evolution of hip hop style coming early 2013.\u003c\/p\u003e\n\u003cp\u003eDiana McClure is a contributing writer to the School of Visual Arts' Visual Arts Journal and Pratt Institute's Prattfolio magazine and has written for Art Basel, Cultured, Photograph, Afropunk, Art in America, exhibition catalogs, and artist monographs among other outlets. Her photographs are in the collections of The David C. Driskell Center at the University of Maryland and the Smithsonian's National Museum of African American History \u0026amp; Culture -- and have appeared in exhibitions at The Philadelphia African American Museum, Edge Zones Miami, Baltimore Museum of Art, Andrew Freeman Home, and New York University. Diana is a graduate of Columbia University and the New School for Social Research and former part-time faculty in the Department of Photography \u0026amp; Imaging at New York University's Tisch School of the Arts. She has been awarded grants and fellowships from New York State Council on the Arts, The New School for Social Research and the Abhaya Yoga Foundation.\u003c\/p\u003e\n\u003cp\u003eKenneth J. Montgomery has successfully defended hundreds of clients facing charges such as murder, terrorism, conspiracy, robbery, firearm possession, rape, DWI, fraud, drug sales, and other serious offenses in both Federal and State courts. Over the course of 20+ years, Montgomery has built a stellar reputation as a fierce advocate in Criminal Defense, Civil Rights, and Entertainment Law, including transactions and litigation. Renowned not only for his legal prowess but also for his impeccable courtroom style, he was the ideal choice to write the introduction for \u003ci\u003eDrama \u0026amp; Flava\u003c\/i\u003e.\u003cbr\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":42130876760138,"sku":"9781648230967","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0011\/8990\/4435\/files\/drama-flava-9781648230967.jpg?v=1749031986"},{"product_id":"michael-bolton","title":"Michael Bolton","description":"\u003cp\u003e\u003cb\u003eThe quintessential collection of iconic photographs and poignant texts that reveal the visual and cultural legacy of American icon Michael Bolton as captured by longtime collaborator, renowned photographer, and dear friend Timothy White.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1987, celebrity photographer Timothy White got a call from American musician Michael Bolotin's (now Bolton) record company asking him to work on a photo shoot. When Bolton came over to his studio, Timothy was struck by his calm persona, dry wit, and superb sense of humor. The two immediately hit it off. The resulting full-of-life photographs that captured Bolton's charisma and charm marked the start of not only a professional but also a personal relationship that would come to establish Bolton's visual legacy and identity.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMichael Bolton\u003c\/i\u003e contains White's handpicked collection of cinematic photographs featuring Bolton, on view together for the first time ever. The wide range of works include: Bolton with his trademark wavy locks, pictures in his breathtaking neoclassical home, classic editorial studio shots, and heartwarming selections from shoots across a variety of urban and rural landscapes. The work spans decades, featuring Bolton at all stages of his career.\u003c\/p\u003e\n\u003cp\u003eOriginal quotes from celebrity friends are peppered throughout the book's pages and highlight Bolton's impact on a range of famous lives and on wider society. Dolly Parton notes how Bolton \"stole her heart\" the first time she heard him sing, Smokey Robinson declares Bolton \"one of the greatest singers in life\", and The Lonely Island coin Michael a National Treasure. Additional mash notes from Kelly Clarkson, John Oliver, Zooey Deschanel, and Andre Agassi, to name a few, fill out the testimonials of love. Bolton and White themselves contribute text, as well as legendary Record Executive, Clive Davis.\u003c\/p\u003e\n\u003cp\u003eChock-full of cinematic visuals and touching, personal texts that reveal a side of the enigmatic megastar that has never been presented before, the book portrays a comprehensive visual overview of the beloved performer and his impact on popular culture, while also highlighting an intimate collaboration between two exemplars of their respective talent fields.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Michael Bolton, White (Photographer)\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 06\/24\/2025\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e powerHouse Books\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781648230974\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 204\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 2.30lbs\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eMichael Bolton\u003c\/b\u003e is a multiple Grammy Award-winning singer, songwriter and Emmy-nominated performer with more than 50 years of contributions to the entertainment industry. As a performing artist, Michael has earned two Grammys for Best Pop Male Vocal Performance (with two additional nominations) and six American Music Awards. He has sold more than 65 million records worldwide and holds a Star on the Hollywood Walk of Fame. To date, Michael has seen nine studio albums rank in the Top Ten, with nine #1 singles. As a songwriter, Michael has received over 24 BMI \u0026amp; ASCAP Awards, including Songwriter of the Year, 9 Million-Air awards, and the Hitmakers Award from the Songwriters Hall of Fame.\u003c\/p\u003e\n\u003cp\u003eMichael has written #1 hit singles impacting the careers of artists such as Laura Branigan (\"How Am I Supposed to Live Without You\"), KISS (\"Forever\"), Barbra Streisand (\"We're Not Making Love Anymore\"), Cher (\"I Found Someone\"), and delivered unique recording collaborations with artists such as Dolly Parton, Kelly Clarkson, Eva Cassidy, Seal, Kelly Rowland, Rascal Flatts, Neyo, Kid Cudi and Mickey Guyton, among others. Internationally renowned, Michael has recorded and performed with musical icons who have inspired and influenced his own career, including Luciano Pavarotti, Placido Domingo, Jose Carreras, Renee Fleming, Andrea Bocceli, B.B. King, and Ray Charles.\u003c\/p\u003e\n\u003cp\u003eMost recently, Michael released \u003ci\u003eSpark of Light\u003c\/i\u003e, his first ever album of all original songs that he authored with a range of contemporary writers, producers and artists. Bolton's legacy transcends genres and generations of fans, and his love of music is parallel to his penchant for humor, shining through Film and TV cameos (\u003ci\u003eThe Fabulous Four, Nora from Queens, Fresh off the Boat, Billions, Two and a Half Men\u003c\/i\u003e), digital viral videos and commercial campaigns. Additionally, Michael starred in \u003ci\u003eThe Celebrity Dating Game\u003c\/i\u003e, ABC's reboot of the beloved dating game show. The fun-loving summer series aired primetime, ranking #1 in its slot. Bolton became a viral sensation in The Lonely Island's Emmy nominated video, \"Captain Jack Sparrow '' that launched on Saturday Night Live and has racked up nearly 250 million views on YouTube. He earned another Emmy nod for his collaborations with the Screen Junkies' popular channel \"Honest Trailers\", ' and partnered with Funny Or Die to release a spoof on the cult-classic \u003ci\u003eOffice Space, \u003c\/i\u003e which achieved Immortal Status. Michael executive produced and starred in the Netflix show \u003ci\u003eMichael Bolton's Big Sexy Valentine's Special\u003c\/i\u003e, which has already become a seasonal cult classic. He recently teamed up with Will Ferrell's Big Money Players and iHeart Podcast Network to launch his own original scripted comedic series, \u003ci\u003eMichael Bolton's Big Sexy Podcast\u003c\/i\u003e, which will launch in early 2025.\u003c\/p\u003e\n\u003cp\u003eTimothy White is one of the world's most sought-after celebrity photographers. For over thirty years he has captured the personal and playful sides of legendary actors, as well as the innocence of up-and-comers. He has shot photography for some of the most recognizable movie posters of our time, the covers of countless high-profile publications, and imagery for an extraordinary and expansive roster of musicians.\u003c\/p\u003e\n\u003cp\u003eNamed one of the most important people in photography by American Photo, Timothy has been the recipient of many photography and film awards, including the Lucie Award for International Photographer of the Year. His photographs are exhibited in galleries and museums worldwide. As a partner in the Morrison Hotel Gallery, Timothy regularly curates and produces events in New York and Los Angeles.\u003c\/p\u003e\n\u003cp\u003eTimothy contributes to numerous non-profit organizations, both as an activist for their cause, and donating his time and work. Most recently he has supported Amfar, Stuart House, and City Harvest, and shot campaigns for the Joyful Heart Foundation, Operation Smile, and Recycle Across America.\u003c\/p\u003e\n\u003cp\u003eA. D. Coleman is an internationally known critic of photography and photo-based art, and a widely published commentator on new digital technologies. In 2002 he received the Culture Prize of the German Photographic Society -- the first critic of photography ever so honored. In 2010 he received the J Dudley Johnston Award from the Royal Photographic Society (U.K.) for \"sustained excellence in writing about photography.\" In 2014 he received the Society for Photographic Education's Insight Award for lifetime contribution to the field, and in 2015 both the Society of Professional Journalists SDX Award for Research About Journalism and The Photo Review Award \"for outstanding contributions to photography, including the investigation of Robert Capa's D-Day photographs.\"\u003c\/p\u003e\n\u003cp\u003eColeman has published 8 books and more than 2500 essays on photography and related subjects. Formerly a columnist for the Village Voice, the New York Times, and the New York Observer, Coleman has contributed to ARTnews, Art On Paper, Technology Review, Ag (England), European Photography (Germany), La Fotografia (Spain), and Art Today (China). His work has been translated into 22 languages and published in 32 countries.\u003c\/p\u003e\n\u003cp\u003eColeman's widely read blog \"Photocritic International\" appears at photocritic.com. Since 2005, exhibitions that he has curated have opened at museums, galleries, and festivals in Canada, China, Finland, Italy, Rumania, Slovakia, and the U.S.\u003cbr\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":42130876792906,"sku":"9781648230974","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0011\/8990\/4435\/files\/michael-bolton-9781648230974.jpg?v=1749099080"},{"product_id":"ditch-montauk-new-york-11954","title":"Ditch: Montauk, New York, 11954","description":"\u003cp\u003e\u003cb\u003eNat Ward's timeless photographs of Montauk's most famous beach, Ditch Plains, tell the naked, unedited stories of who we are when the sand is a stage: sensual beings, social creatures, dramatic actors, those who want and wish to be wanted, those who look, and those who wish to be looked at. Featuring forty-nine panoramic photographs, Ditch: Montauk, New York, 11954 revels in a place where pleasure is paramount, divisions disappear, and everyone is welcome to crowd in together on the sand and stare, however impolite it may be. Legendary musician Rufus Wainwright and his husband J?rn Weisbrodt as well as writer Wayne Koestenbaum contribute heartfelt essays.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eStumbling down a makeshift path through a sand cliff in 2018, Ward found the crowded, raucous reality of Ditch Plains, Montauk's most famous surf beach. It's a place where families, surfers, retirees, artists and writers, social media influencers, contractors, landscapers, celebrities, and day traders all crush together on the rocky shore for a day. This books brings to light the high\/low culture on a beach known for being a low-key celebrity hideout. Emblematic of a laid back fishing village that became swanky. It is a place where politics are more unseemly than naked flesh, where human pleasure is sought out in public view. Struck by this libertine opposition to antagonistic norms, Ward photographed the denizens of Ditch every day for four summers. In the process, Ward became a fully-fledged member of the eclectic tribe: a half-naked, long-haired character with a clown camera that no one could miss.\u003c\/p\u003e\n\u003cp\u003eThe photographs in \u003ci\u003eDITCH: MONTAUK, NY 11954\u003c\/i\u003e navigate the trickier engagements of looking and being looked at: the epic sweep of multiple dramas playing out across the sand, the confrontations, the seductions, the freedom to be a body amongst other bodies splayed in public, the hints at desire and reticence, the skin, the sun, the heat, the salt, the slippages of masculinity and femininity performed, the lounging in a way that purposefully conceals or reveals, the unexpected and clarion gestures of children, the futility in the drive to hold on to youthful appearance, and the inevitable process of aging toward an entropic end.\u003c\/p\u003e\n\u003cp\u003eWard's panoramas are inspired by the visual energy of American photographic masters Helen Levitt, Weegee, and Lisette Model, along with Italian Neorealist standouts like Vittorio de Sica's \u003ci\u003eThe Bicycle Thieves\u003c\/i\u003e and Rossellini's \u003ci\u003eRome, Open City\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eLegendary musician, queer icon, and long-time Montauk resident Rufus Wainwright contributes an introduction in collaboration with his husband, Jorn Weisbrodt, that provides insight into the history of Montauk and delves into the intimate, social, and psychological realities of the beach as featured in Ward's panoramic efforts. And a signal afterword by renowned poet, iconoclast, and cultural critic Wayne Koestenbaum parses the visceral, sensual pleasure to be found in these images while also leaning into the idea that pleasure of this sort must serve as an inspiration toward a radical departure from the monomania and divisive strife of everyday life.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Nat Ward, Rufus Wainwright (Introduction by), Jorn Weisbrodt (Text by (Art\/Photo Books))\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 07\/08\/2025\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e powerHouse Books\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781648231018\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 112\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.12lbs\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003eNat Ward lives in Queens, NY. His work is collected by the Museum of Modern Art, the Guggenheim Museum, the Metropolitan Museum of Art, The Parrish Art Museum, and the Museum of Fine Arts Houston. His previous book of photographs and poetry, Big Throat, was published by +KGP in 2020. Ward founded the collaborative photographic project space A New Nothing with Ben Alper in 2014 and has had features on his photographic work published in Aperture, Interview, Collector Daily, Photobook Journal, Photography \u0026amp; Culture, C4, The British Journal of Photography, Unseen, Vogue, Vogue Italia, Vice, and Juxtapoz. He has exhibited photographic and text-based installations at Nathalie Karg Gallery, New York Live Arts, Hampshire College, and The Jewish Museum. Ward has been awarded residencies and fellowships from Yaddo, The Cooper Union Professional Development Fund, the Edward F. Albee Foundation, and The Sharpe-Walentas Studio Program. His poetry and critical writing have appeared in publications from Wendy's Subway, 1080Press, The Brooklyn Review, and Beautiful Days Press. Ward's poems appear alongside photographs by Sara J. Winson and Aaron Canopy in Shades, published by Push Pull Editions (2024). Ward holds an MFA in Visual Art from Columbia University and an MFA in Poetry from Brooklyn College.\u003c\/p\u003e\n\u003cp\u003ePraised by The New York Times for his \"genuine originality,\" \u003cb\u003eRufus Wainwright\u003c\/b\u003e has established himself as one of the great male vocalists, songwriters, and composers of his generation. The New York-born, Montreal-raised singer-songwriter has released ten studio albums to date, three DVDs, and three live albums including the Grammy nominated Rufus Does Judy at Carnegie Hall. He has collaborated with artists such as Elton John, Burt Bacharach, Miley Cyrus, David Byrne, Boy George, Joni Mitchell, Pet Shop Boys, Heart, Carly Rae Jepsen, Robbie Williams, Jessye Norman, Billy Joel, Paul Simon, Sting, Chaka Khan, Brandi Carlile, John Legend, Anohni and producer Mark Ronson, among many others. He has written two operas and numerous songs for movies and TV\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eJorn Weisbrodt \u003c\/b\u003ewas born in Hamburg on January 26, 1973. He studied opera directing at the music conservatory \"Hanns Eisler\" in Berlin. He is married to Rufus Wainwright and currently manages his career and produces his work. Until 2016 he served as the artistic adviser to the Music Center in Los Angeles where he produced a large birthday concert for Joni' Mitchell's 75th birthday that was released as an album and movie across the globe. He was also the inaugural artistic director of ALL ARTS, WNET's 24 hour cultural TV channel and online platform. Between 2012 and 2016 he was the Artistic Director of the Luminato Festival in Toronto where he commissioned and produced new works with artists such as Marina Abramovic, Lemi Ponifasio, Kid Koala, Dana Gingras, Ohad Naharin, and R. Murray Schafer. Before this appointment he was working as the executive director of RW Work Ltd. representing and managing the work of Robert Wilson and as the director of The Watermill Center - a laboratory for Performance founded by Robert Wilson in New York. He has been instrumental in producing productions such as \"The Life and Death of Marina Abramovic\" and the worldwide tour and revival of Robert Wilson's and Philip Glass' opera Einstein on the Beach. For The Watermill Center he has established partnerships with the Guggenheim Museum in New York, the Baryshnikov Arts Center, Kampnagel Hamburg, the Donaufestival in Krems, the Massachusetts Museum of Contemporary Art, Performa, the Purnati Arts Center in Indonesia, the Massachusetts Institute of Technology, Columbia University among others.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWayne Koestenbaum\u003c\/b\u003e, poet, critic, fiction-writer, artist, filmmaker, performer--has published 23 books, including Stubble Archipelago, Ultramarine, The Cheerful Scapegoat, Figure It Out, Camp Marmalade, My 1980s \u0026amp; Other Essays, The Anatomy of Harpo Marx, Humiliation, Hotel Theory, Circus, Andy Warhol, Jackie Under My Skin, and The Queen's Throat (nominated for a National Book Critics Circle Award). He has exhibited his paintings in solo shows at White Columns, 356 Mission, and the University of the Kentucky Art Museum. His first record, Lounge Act, was released by Ugly Duckling Presse Records in 2017; he has given musical performances of improvisatory Sprechstimme soliloquies at The Kitchen, REDCAT, Centre Pompidou, The Walker Art Center, The Artist's Institute, the Renaissance Society, the Hammer Museum, The Poetry\u003c\/p\u003e\n\u003cp\u003eProject, and the Francis Kite Club. His first feature-length film, The Collective, premiered at UnionDocs (New York) in 2021. He has received a Guggenheim Fellowship in poetry, an American Academy of Arts and Letters Award in Literature, and a Whiting Award. Yale's Beinecke Rare Book and Manuscript Library has acquired his literary archive. 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